Tag: paintings

“Weohryant University” (XXI)

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Sure, said Chelsea, I’d love to see your den.

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No, said Morton, I haven’t seen any worms.

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Yes, said Glouster, very fine form.

 

“Weohryant University” (XX)

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Do you think we’re early? said Morton.
I don’t want to appear anxious, said Emma Lou.
Neither do I, said Chelsea.
How long should we wait? said Morton.
Until it’s time, said Emma Lou.
How will we know? said Morton.
They’ll tell us, said Emma Lou.
What if they don’t? said Morton.
Then we’ll never know, said Chelsea.
They’ll tell us, said Emma Lou, if they want us to know.
And if they don’t? said Morton.
Then they won’t tell us, said Emma Lou.
That makes sense, said Chelsea.
Where are the others? said Morton.
They’re waiting for us to decide, said Chelsea.
They don’t want to appear anxious, said Emma Lou.
What’s wrong with appearing anxious? said Morton.
It makes you look greedy, said Emma Lou.
Even if you’re willing to share? said Morton.
Maybe they want us to wait, said Chelsea.
Why? said Morton.
Because anticipation increases desire, said Emma Lou.
Yes, said Chelsea, like in the Kama Sutra.
The Kama Sutra? said Morton.
The Kama Sutra, said Chelsea, is one of the books on our reading list.
The one the moose keeps hogging? said Morton.
Yes, said Chelsea, but I managed to sneak a peak.
What does it say? said Morton.
It says that withholding pleasure increases desire, and increasing desire increases pleasure.
What if you don’t get what you desire? said Morton.
Then you still get the pleasure of anticipating, said Chelsea.
The pleasure of anticipating? said Morton.
Yes, said Chelsea, like when you spend the winter anticipating the spring fashions, and when the fashions come out, you’re a little disappointed, but at least you had the pleasure of anticipating them.
That happens for me, said Emma Lou, every season of the year.
But sometimes when you get something, said Morton, it’s as good as what you had hoped for.
That’s true, said Chelsea, but getting it doesn’t diminish the pleasure you got from anticipating it.
It teaches you, said Emma Lou, to enjoy the journey and not focus on the destination.
The destination? said Morton.
The object of desire, said Emma Lou.
We’ve waited long enough, said Morton.
You may be right, said Emma Lou.
I wonder if the others are enjoying the wait? said Chelsea.
Birds can be very patient, said Emma Lou.
That’s true, said Morton, I watched Frank sit on a fence for five hours yesterday.
You watched him for five hours? said Chelsea.
Yes, said Morton.
And you didn’t get impatient? said Chelsea.
No, said Morton, I didn’t want to eat him.
So you’re only impatient, said Emma Lou, with things you want to consume?
Yes, said Morton.
What if you’re not hungry? said Emma Lou.
There are some things I want to consume, said Morton, whether I’m hungry or not.
That’s not very healthy, said Emma Lou.
I know, said Morton.
Do you smell that? said Chelsea.
Yes, said Emma Lou, I do.
It must be time, said Chelsea.
Yes, said Emma Lou, it must be time.
Really? said Morton, I was just starting to enjoy the anticipation.

“Blurtso tries to tweet”

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Curse these clumsy hoofs! said Blurtso. How am I going to let the whole world know every insignificant thought that comes into my mind?

“Blurtso sits under a tree”

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I love the smell of wood in autumn, and the sound of dry leaves. This is a very nice log. I wonder which tree it came from? I suppose it was like any other tree, growing slowly, drinking minerals, seeking sun. I suppose birds built nests in its branches, and squirrels chased up and down. I suppose it was at the center of a universe of sights and sounds, never thinking it would fall, and be hollowed out. I guess the shell always outlasts the heart, and the forest is strewn with empty armor. And every living thing is immortal… until it dies.

“Weohryant University” (XIX) – Where 101

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Today’s question, said Harlan, is: “Where did it go?”
Where did what go? said Chelsea.
It was here just a minute ago, said Morton.
I didn’t take it, said Emma Lou.
Neither did I, said Frank.
Do you mean “ubi sunt”? said Glouster.
Ubi sunt? said Morton.
“Ubi sunt,” said Glouster, is Latin for “Where are they?” It comes from a Latin poem that begins, “Ubi sunt qui ante nos in mundo fuere?” which translates: “Where are they who, before us, existed in the world?” It was a common theme in medieval poetry, and was most famously expressed by the French poet, François Villon who asked, “Où sont les neiges d’antan?” or “Where are the snows of yesteryear?”
The snows of yesteryear? said Morton.
I don’t like snow, said Chelsea.
Neither do I, said Frank.
I don’t mind it, said Emma Lou, so long as I’m not far from my den.
Why would anyone worry about last year’s snow? said Morton.
It’s a metaphor, said Glouster, for all the things you’ve lost in your life.
Lost? said Chelsea.
Yes, said Glouster, the things you had in the past that you no longer have.
The things I’ve eaten? said Morton.
Yes, said Glouster, and the friends you’ve lost, and your lost youth.
My lost youth? said Chelsea.
Yes, said Glouster.
I’m not going to lose my youth, said Chelsea.
Of course you are, said Glouster.
Really? said Chelsea.
Yes, said Glouster.
In that case, said Chelsea, I don’t like “ubi sunt.”
Crows live forever, said Frank.
They do? said Morton.
Sure, said Frank, crows, or “ravens”, and nightingales, and even some other birds.
Are you sure? said Morton.
Yes, said Frank, just ask Edgar Allen Poe and John Keats.
Who are they? said Chelsea.
They are poets, said Frank, who wrote about birds who live forever, birds who travel from heaven to earth to hell and then back again.
Have you been to heaven and hell? said Chelsea.
No, said Frank, not yet.
I don’t want to go to hell, said Morton.
Heaven and hell, said Glouster, are metaphors for, “the realm of the dead.”
I don’t want to go there either, said Morton.
Maybe, said Chelsea, that’s where the “ubi sunts” are.
I know a song, said Frank, about “ubi sunt.”
What’s it called? said Chelsea.
It’s called “The Ashgrove,” said Frank, and it has a blackbird in it.
How does it go? said Chelsea.
I don’t remember all the words, said Frank, but it’s about a woman who loses her lover and looks for him in an ashgrove.
Does she find him? said Chelsea.
No, said Frank, he’s buried beneath the green turf.
Is that a metaphor for “the realm of the dead”? said Morton.
Yes, said Frank.
Why doesn’t the blackbird, said Chelsea, fly to the realm of the dead, talk to the dead lover, then return and talk to the woman so she can have a sense of closure?
That’s a good question, said Frank.
What’s closure? said Morton.
Closure, said Chelsea, is talking with your ex-lover until you have nothing more to say.
Why would you want to do that? said Morton.
Because, said Chelsea, if you say everything you have to say, you can stop thinking about him when he’s gone.
So he doesn’t become an “ubi sunt”? said Morton.
Yes, said Chelsea.
I would like to be an “ubi sunt”, said Emma Lou.
So would I, said Glouster.
Why? said Chelsea.
Because, said Glouster, I don’t want to be forgotten.
Being forgotten, said Emma Lou, would be like a second death.
Maybe it’s a good thing, said Morton, for people to go around asking “ubi sunt?”
Why? said Chelsea.
Because, said Morton, it keeps the dead from dying.

“Blurtso is happy to be of use”

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Hmmm, thought Blurtso, would you look at that, dust particles in the air, illuminated by the sun. I wonder what keeps them afloat? There must be some sort of current. Maybe it’s my breath. I suppose they would settle if I wasn’t here. They’re very pretty. I’m glad to be of use.

“Weohryant University” (XVIII) – What 101

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As you answer today’s question, said Blurtso, I would like you all to remain completely silent. The question is: “What is that sound?”

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That’s all for today, said Blurtso.

“Blurtso is comfortable where he is”

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I wonder if I should get up? I’m very comfortable here, though it might be more comfortable somewhere else. I suppose I’m missing some exciting things. But it’s hard to miss things if you don’t know what they are. And if I did know what they were, and was doing them, I’d miss lying in this loft. I guess the only way to enjoy something… is not to think about what you’re missing.