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“Blurtso does Hamlet”

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To eat, or not to eat,
—that is the question—
whether ‘tis sounder for the stomach
to suffer the pricks and pangs
of outrageous hunger and resist,
—and by resisting, shrink this swollen shape—
or to indulge, and then sleep,
for after that indulgence, the sleep that’s
sure to follow spawns decrease of increase,
and makes of energy lethargy’s fool;
to eat, and sleep, and fatten as we dream!
Ay, there’s the rub; for in that fatness of form
what dangers may lie—the
hypertensive extinction, the diabetic
demise—must give us pause to consider
the view of a sugary grave;
yet what burro would not exchange
a future pleasure aloof,
for a present pleasure ahoof?
‘Tis a consumption devoutly to be wished,
when one of his stomach might its quietus make
with a baked pumpkin!
Thus do cravings make cowards of us all,
sugaring over the dieting hue of resolution
with sweet-scented cinnamon
and graham-cracker crust, and with this,
best intentions turn awry, losing,
in the act of consuming, the name of action.

“Blurtso channels Shakespeare”

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What’s the matter? said Alex. I haven’t been sleeping, said Blurtso. Why not? said Alex. I keep thinking of Lizzy. Lizzy? said Alex. Yes, said Blurtso, a donkey I saw on campus. What’s so special about Lizzy? I’m not sure, said Blurtso, there’s just something about her… I think I’d give anything just to brush against her. Really? said Alex. Yes, said Blurtso, and it’s driving me mad. Like in the poem, said Alex. The poem? said Blurtso. Sure, said Alex, the sonnet by Shakespeare: “By day my limbs, by night my mind for thee and myself, no quiet find.” Yes, said Blurtso, that’s it. Shakespeare sure knew donkeys.

“Blurtso plays Für Elise”

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Curse these clumsy hoofs! said Blurtso. How am I ever going to play Für Elise? I don’t know, said Pablo, maybe you could play it on the trombone…

“Pablo does Pablomeo”

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She brays!
Oh, bray again, bright angel!

Pablómeo, Pablómeo,
wherefore art thou Pablómeo?

Pablómeo sayest thee?
By such a name am I not that what I am…
but wouldst Pablo become Pablómeo…
if such be thine demand…
pale past be gone, faint future damned…
for thee this present present,
that be that I am!

My rose, my sun, my Pablómeo…
my faithful heart that beats,
a burro that’s called a burro,
by another name smells as sweet…

“Blurtso considers his inner parakeet” (V)

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A donkey was pursued by two tigers, one from in front, one from behind. He also had a Chemistry exam the next day. “Is there any more pumpkin pie?” said the donkey.

“Blurtso stands in the snow” (V)

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Welcome to tonight’s discussion sponsored by “The Campus Institute of Political Seriousness for Enhanced Living in an Unenhanced World.” I’m your host, Jonathan Wellborn Truington III, and joining us this evening is Mr. Blurtso Lundif, a third-year diversity fellow at Harvard College, who has garnered attention in Cambridge as, “the donkey who stands in the snow.” Please tell us, Mr. Lundif, if you would, what is your opinion of the current political climate in our nation’s capital? The political climate? said Blurtso. Yes, said Mr. Truington. I don’t know anything about it, said Blurtso. Do you think, said Mr. Truington, that the politicians should all go stand in the snow? It couldn’t hurt, said Blurtso. And what have you accomplished, said Mr. Truington, by standing in the snow? Accomplished? said Blurtso. Yes, said Mr. Truington, what have you learned? I’ve learned to stand still, said Blurtso. To stand still? said Mr. Truington. Yes, said Blurtso. Anything else? said Mr. Truington. Isn’t that enough? said Blurtso. Well, said Mr. Truington, I suppose it is… and where exactly do you stand? Anywhere, said Blurtso. Anywhere? said Mr. Truington. Yes, said Blurtso, anywhere that’s snowy and cold. Is there something, said Mr. Truington, that inspires you to do it? Yes, said Blurtso, it’s compelling to stand in a public place that is empty… and where, if someone does appear, they move so quickly they may as well not be there. I see! said Mr. Truington, standing in the snow is an indictment of the modern world and its frenetic pace! Is it? said Blurtso. Does it bother you, said Mr. Truington, if others stand in the snow next to you? No, said Blurtso, as long as they don’t ask questions. Questions? said Mr. Truington. Yes, said Blurtso, about why I’m standing in the snow. Of course, said Mr. Truington, and apart from your scathing attack on people in a hurry, what other statements are you trying to make? Are you attempting to draw attention to a charitable cause? Are you trying to see how long you can stand before collapsing? No, said Blurtso, I go home whenever I want. And how do you know, said Mr. Truington, that it’s time to go home? As soon as I start walking, said Blurtso, I know it’s time to go. Remarkable, said Mr. Truington. Well, ladies and gentlemen, there you have it, neither ice, nor sleet, nor snow will stop this remarkable coed from making his stand. Please join us next week when our featured speaker will be Somerville’s own self-deprecating playwright and hairbrush salesman, Reverend Willy J. Loman.

 

“Blurtso sings the donkey electric”

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“Blurtso sings the donkey electric”

I sing the donkey electric!
A song of asses I sing, near and far!
Asses on hills, asses in fields, asses in herds,
more bountiful than the once-bountiful buffalo,
asses on land and asses at sea, asses short, skinny, fat and tall!
Multitudes of asses, spanning these star-spangled states!

I have perceived that to be an ass
is to be enough.

The ears of the ass are sacred, delicate,
twitching receptacles of sound,
assiduous antennae registering, recording all,
the hooves of the ass are no less
than the slippers of sultans
striding silken alfombras and seraglio stone,
the snout of the ass and his nostrils—a dual lamp
of Aladdin—inhaling flowery fragrance,
leading to wished-for fiestas of pumpkin pleasure,
the ass’s tail, though stumpy or small, and swatting flies,
is a palm fanning reclining Cleopatra,
his teeth, precious jade, are greened and polished
by the grass of a thousand fields,
his attentive eyes and friendly balance of features,
—courtly countenance and caryatid composure—
no less perfect than the visage of Helen.

Such asses I see, to the north and to the south!
From blistering bivouacs of winter
to blazing battalions of summer,
Patagonia to Peloponnese, Malibu to Manhattan,
Concord to Cambridge, every here
and every there, asses I see! Brown, grey,
yellow, red, purple, orange, azure asses!
Asses in other climes, asses in other times,
French, British, Australian, Arabian, Asian asses!

Eating every blade of grass, an ass!
Trampling every leaf that falls, a hoof!
Wading every stream that sings,
a snout, a snort, and a bray!
Hee-haw goes the jack!
Hee-haw goes the jenny!
Hee-haw go the judge and jury and judged!
Hee-haw from the dell! Hee-haw from the glen!
Hee-haw at mid-day! Hee-haw at the moon!

I see the resigned ass, bearing a load,
obeying the coax of his lord,
I see the boisterous ass braying,
in the barn, his bonny bray,
I see the amorous ass (of these there are many),
expressing exigencies by day and by night,
I see farms, fields, freeways and burgs,
each in their way, replete with asininities,
I see the asinine politician, professor, and poet,
each one leaving a brand on the asses of asses.
And the asses of yore, you ask, where are they
with their clip and clop on the stones of the street?
Les ânes voici! I say! Les ânes voici!
Heeding the whinny and neigh,
and ass-bray of the future!

What song do I sing? (you ask and I reply),
I sing the song of asses!
Certain, and stoic, and strong!
From each face an ass!
From each office, family, and farm!
Asses I sing! Avalanches of asses!
I sing! I sing a song of asses!
I sing the donkey electric!