It’s warmer today, said Harlan. Yes, said Blurtso. You don’t look very good, said Harlan, what have you been doing? I’ve been painting, said Blurtso. Painting? said Harlan. Yes, said Blurtso, I saw Lizzy again, and I think she should be immortalized like the models of Renoir.
I call it, “Jeune âne au piano.”
Wow, thought Blurtso, counting the twenty Patrick O’Brian novels I have, and my copy of Leaves of Grass, I now have a library of 5,021 volumes… five thousand of which I wrote myself.
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Water is the most difficult and rewarding of subjects.
At this point in the novel, said Blurtso, Echo has left her island to go in search of Blurtseau. After meeting a pig named Winston in England, the two cross the channel to France and make their way to Paris…
As Winston and Echo made their way through the streets of Paris, they began to feel more and more uneasy. They had never imagined there were so many people in the world. Everywhere they turned, they saw larger and larger crowds, parades of feet hurrying to some urgent destination, and every one of them was speaking a language neither Echo nor Winston could understand. The only word they knew was the name of the town where Blurtseau had lived, Roquebrune. And so, hoping someone might recognize the town and point them in the proper direction, they stood on a corner repeating that single word, “Roquebrune? Roquebrune? Roquebrune?”
Of course, it was highly unlikely that any of the passersby would recognize the name of a town of 500 inhabitants, 400 kilometers to the south; a principality that had just become a part of France. As a result, Echo’s and Winston’s inquiries elicited nothing more than puzzled looks and an occasional hungry glance, a glance that made Winston tremble, remembering his nightmarish experience in the Butcher’s Shop. Echo, too, was frightened by the things she saw, and by the din of sounds that thundered in her ears. She looked to Winston for courage, and though her friend was as panicked as she, his innate sense of self-importance, and belief he knew everything, enabled him to move confidently forward, repeating with every stride, “Roquebrune? Roquebrune? Roquebrune?”
By the end of their first day, Echo and Winston were exhausted and hungry. Though they had passed shops selling all types of food, and humans constantly engaged in the act of eating—even while they walked—Echo and Winston had not stumbled across a single discarded crumb until they chanced upon a plaza where a farmer’s market was being disassembled. They stuffed themselves with carrot tops and brown lettuce until they were full, and when it began to rain they walked down to a wide green river and took shelter under an enormous stone bridge.
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Sitting in the woods can be suspenseful, said Blurtso. Suspenseful? said Pablo. Yes, said Blurtso, as if something is about to happen. What do you expect to happen? said Pablo. I don’t know, said Blurtso, it’s as if the continual sound of the creek, the breeze on the ears, the deep alterations of light and dark, are all waiting for something… maybe a change in the wind or a change in the sky, a sudden downpour or wild animal, maybe a cougar come to drink at the stream… something dramatic is going to happen. COME AND GET IT!!! called Bonny from the cabin. FRESH SCONES AND PUMPKIN PIE!!!
No, said Bonny, the stream never flows back.
Final Exam – Art 101
1.) Name three characteristics of ancient Greek and Roman sculpture:
Large noses, round bellies, and foreshortening of the limbs.
2.) Discuss the difference between Medieval and Renaissance art:
During the Renaissance donkeys rose to a new level of importance. There were praying donkeys in the cathedrals, reclining donkeys in the fountains, and braying donkeys in the streets. The greatest example of donkeycentrism is Michelangelo’s “The Blurtso.” Michelangelo also painted the Sistine Corral.
3.) What innovation was shared by both Impressionist and Expressionist
painters, and how was it used differently by the two groups?
Pumpkin pie. The Expressionists painted their canvases before eating pumpkin pie, and the Impressionists painted their canvases after.
4.) What is Cubism?
Cubism was a style of painting developed by Georges Braque and Pablo Picasso which portrayed objects as seen from all perspectives at once. Sort of like standing naked in a room of mirrors with half a newspaper and a broken guitar.
What do you know… absinthe improves your aim.
For Paul Cézanne, a landscape was a collection of geometrical shapes.
Excellent! said Bonny.